A gripping collection of Hakan Nesser's best novellas and short stories, Intrigo is now the basis for three major motion pictures. Set in the fictional city of Maardam, Intrigo's five stories are linked by themes of secrets coming to light, lies being exposed, and pasts coming back to haunt the people who thought they had escaped them. All told in his signature style of dark, precise prose that shows a sharp understanding of human nature, Intrigo is the perfect introduction to Hakan Nesser, the Godfather of Swedish crime. This collection is the basis for a trilogy of international films - Dear Agnes, Death of an Author and Samaria - directed by Daniel Alfredson and starring Ben Kingsley and Gemma Chan.

"So much to relish here . . . the plot is gripping, there's a beautifully handled thread on reading and writing, and the writing is just lovely!" DIANE SETTERFIELD, author of Once Upon A River "The year's most memorable narrator . . . An unusual and intriguing crime story" SUNDAY TIMES BOOKS OF THE YEAR "Niemi succeeds in constructing a story that works as a murder mystery and as a compelling study of a dangerously inward-looking community" SUNDAY TIMES "A riveting, psychologically astute mystery . . . It is not to be missed" BOOKLIST "An original and gripping crime story" THE TIMES **NOW SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER** It is 1852, and in Sweden's far north, deep in the Arctic Circle, charismatic preacher and Revivalist Lars Levi Laestadius impassions a poverty-stricken congregation with visions of salvation. But local leaders have reason to resist a shift to temperance over alcohol. Jussi, the young Sami boy Laestadius has rescued from destitution and abuse, becomes the preacher's faithful disciple on long botanical treks to explore the flora and fauna. Laestadius also teaches him to read and write - and to love and fear God. When a milkmaid goes missing deep in the forest, the locals suspect a predatory bear is at large. A second girl is attacked, and the sheriff is quick to offer a reward for the bear's capture. Using early forensics and daguerreotype, Laestadius and Jussi find clues that point to a far worse killer on the loose, even as they are unaware of the evil closing in around them. To Cook a Bear explores how communities turn inwards, how superstition can turn to violence, and how the power of language can be transformative in a richly fascinating mystery. "Superb suspense . . . Simply a great literary experience!" V.G. (Sweden) "A masterpiece of narrative" La Vanguardia (Spain) "A philosophical novel, a crime novel, a historical novel and a coming-of-age story complement one another" La Stampa (Italy) "One is transported into a strange time and a fascinating world that is both beautiful and brutal" Politiken (Denmark) "Formidable delivery . . . Unlike anything else you have read . . . An incredible novel" Adresseavisen Translated from the Swedish by Deborah Bragan-Turner

With stunning subtlety and precision, these eleven stories embrace contradiction and transport us to in-between realms: between tenderness and violence, between the dreamlike and the excruciatingly real, between childlike wonder and ancient wisdom. A young woman becomes obsessed with her psychoanalyst's daughter. A police officer's mistress clandestinely cares for his dying wife. A boy goes missing from the Swedish town of Huskvarna after he was last seen walking with a wolf. From the inside of a dead whale's belly, to an industrial town emptied out after its factory's closure, to a Texan prison where a young man visits his sister's murderer on death row, Stridsberg approaches both the strange and the mundane with a fairy-tale sensibility that lights our world anew. Time runs through this collection like water, variously ebbing, flowing and rippling beneath the shimmering surface of Stridsberg's lyrical prose. These genre-spanning stories are held together by a sense of longing: for escape from the narrow margins of a prescribed life, for a past which promises an undiscovered future, for a place or a person that feels like home. Translated from the Swedish by Deborah Bragan-Turner

For fans of Scandinavian crime, Intrigo is the gripping collection of Håkan Nesser’s best novellas and short stories, three of which have been adapted into major motion pictures.

Set in the fictional city of Maardam, each story is linked by themes of secrets coming to light, lies being exposed, and pasts coming back to haunt the people who thought they had fled them – all told in Håkan Nesser’s signature style of dark, cutting prose that displays a true understanding of human nature.

The collection is the basis for a trilogy of international films - Dear Agnes, Death of an Author and Samaria - directed by Daniel Alfredson and starring Ben Kingsley and Gemma Chan.

"Compassionate and complex" Financial Times "Stridsberg writes with chilling poise" New York Times "A haunting portrait of the starkest meanings of love and family. Stridsberg's literary talent left me awestruck" KATE REED PETTY, author of True Story **A Financial Times Book of the Year 2021** They say you die three times. The first time for me was when my heart stopped beating beneath his hands by the lake. The second was when what was left of me was lowered into the ground in front of Ivan and Raksha at Bromma Church. The third will be the last time my name is spoken on earth. Inni lives her life on the margins, but it is a life that is full and complex, filled with different shades of dark and light... Until she is brutally murdered one summer's day, on a lake shore at the heart of a distant, rain-washed forest. On the surface, this is the story of the moment her life is violently extinguished - a moment that will never end, not ever - but it is also about the time before, and about the lives that carry on afterwards. It's about her children, her parents, her childhood of neglect, her volatile adolescence, and the chain of choices, tragedies and accidents that lead her to a life on the streets and take her into the wrong crowd, the wrong places and, finally, the wrong car with the wrong person. Sara Stridsberg's new novel is about absolute vulnerability, brutality and isolation. At times disturbing, this is a devastating story of unexpected love, tenderness and light in the total darkness. Translated from Swedish by Deborah Bragan-Turner

"Compassionate and complex" Financial Times "Stridsberg writes with chilling poise" New York Times "A haunting portrait of the starkest meanings of love and family. Stridsberg's literary talent left me awestruck" KATE REED PETTY, author of True Story **A FINANCIAL TIMES BOOK OF THE YEAR 2021** Inside me was voiceless silence, above me only bare defenceless sky and beneath me the earth's unrelenting gravity, pulling me down The moment of Inni's death will never end. Not ever. Murdered one summer's day on a lake shore at the heart of a distant, rain-washed forest, she tells the story of the moment her life was violently extinguished by an anonymous man. But amidst that moment of death lies the story of what came before, and of the lives that carry on afterwards. This is the story of her children, her parents and the chain of choices, tragedies and accidents that lead her to a life on the streets and take her into the wrong crowd, the wrong places and, finally, the wrong car with the wrong person. The Antarctica of Love is the unflinching testimony of a woman on the margins, giving voice to the voiceless and offering an insight into depths of absolute vulnerability, brutality and isolation. Hauntingly beautiful yet at times disturbing, this is a devastating story of unexpected love, tenderness and light in the total darkness. Translated from Swedish by Deborah Bragan-Turner

A dazzlingly inventive and acclaimed novel set in a Stockholm psychiatric hospital - by one of Sweden's most exciting literary talents "I'll put my head in the oven so you know where I am," he whispers, kissing her neck. Jim - charming, captivating, much loved by his women friends - has attempted suicide several times. Over his period of incarceration at the Beckomberga hospital for the mentally unstable, he voices his determination to succeed. Some day soon, he tells his daughter - as he has earlier told his mother and his wife - he will swallow sixty tablets, help them down with a bottle of whisky, and swim impossibly far out into the Atlantic. Will he, really? This question plagues Jim's daughter, the narrator of this powerful novel, who is as addicted to the hospital as her father is to alcohol. Through her subtle observations we understand the emotional needs of diehard alcoholics, the rationally uxoricidal, and other seemingly normal inhabitants of a psychiatric unit in the process of shutting down, depriving them of the only place they have known as home. A Magic Mountain for our times, for readers of Eimear McBride and Alexander Masters. Translated from the Swedish by Deborah Bragan-Turner

A blisteringly frank autobiographical novel by Sweden's great man of letters - for readers of K. O. Knausgaard's My Struggle. "Some life. Some novel . . . Wonderful, brave, evocative . . . It is a remarkable story, and Enquist is remarkably frank in narrating every last detail" Herald When everything began so well, how could it turn out so badly? What was it about Hjoggboele, a farming village in the northernmost part of Sweden, that created so many idiots - and writers? There was nothing to indicate that P.O. Enquist would be stricken by an addiction to writing. Nothing in his family - honest, hardworking people. Not a trace of poetry. And yet he worked his way, via journalism, novels and plays, to the centre of Swedish politics and cultural life. His books garnered prize after prize. His plays ran for decades and premiered on Broadway. Why then, living with a new wife in Paris, does he hole up in their palatial Champes-Elysees apartment, talking only to his cat? How is it that he wakes to find himself in an uncoupled carriage on a railway siding in Hamburg, two - or was it three? - days after the first-night party finished? And what is it that drives him to run shoeless through the deep January snow of an Icelandic plain, leaving the lights of the drying out clinic far behind? Narrating in the third person, as if he were merely a character in the eventful, perplexing and ultimately triumphantly redemptive drama of his own life, P.O. Enquist is as elliptical as Karl Ove Knausgaard is exhaustive. Clear-eyed, rueful, written with elegance and humour, this is the singular story of a remarkable man.

A blisteringly frank autobiographical novel by Sweden's great man of letters - for readers of K. O. Knausgaard's My Struggle. "Some life. Some novel . . . Wonderful, brave, evocative . . . It is a remarkable story, and Enquist is remarkably frank in narrating every last detail" Herald When everything began so well, how could it turn out so badly? What was it about Hjoggboele, a farming village in the northernmost part of Sweden, that created so many idiots - and writers? There was nothing to indicate that P.O. Enquist would be stricken by an addiction to writing. Nothing in his family - honest, hardworking people. Not a trace of poetry. And yet he worked his way, via journalism, novels and plays, to the centre of Swedish politics and cultural life. His books garnered prize after prize. His plays ran for decades and premiered on Broadway. Why then, living with a new wife in Paris, does he hole up in their palatial Champes-Elysees apartment, talking only to his cat? How is it that he wakes to find himself in an uncoupled carriage on a railway siding in Hamburg, two - or was it three? - days after the first-night party finished? And what is it that drives him to run shoeless through the deep January snow of an Icelandic plain, leaving the lights of the drying out clinic far behind? Narrating in the third person, as if he were merely a character in the eventful, perplexing and ultimately triumphantly redemptive drama of his own life, P.O. Enquist is as elliptical as Karl Ove Knausgaard is exhaustive. Clear-eyed, rueful, written with elegance and humour, this is the singular story of a remarkable man.

"So much to relish here . . . the plot is gripping, and the writing is just lovely!" DIANE SETTERFIELD, author of Once Upon A River "The year's most memorable narrator . . . An unusual and intriguing crime story" SUNDAY TIMES BOOKS OF THE YEAR "Niemi succeeds in constructing a story that works as a murder mystery and as a compelling study of a dangerously inward-looking community" SUNDAY TIMES "A riveting, psychologically astute mystery . . . It is not to be missed" BOOKLIST "An original and gripping crime story" THE TIMES **NOW SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER** It is 1852, and in Sweden's far north, deep in the Arctic Circle, charismatic preacher and Revivalist Lars Levi Laestadius impassions a poverty-stricken congregation with visions of salvation. But local leaders have reason to resist a shift to temperance over alcohol. Jussi, the young Sami boy Laestadius has rescued from destitution and abuse, becomes the preacher's faithful disciple on long botanical treks to explore the flora and fauna. Laestadius also teaches him to read and write - and to love and fear God. When a milkmaid goes missing deep in the forest, the locals suspect a predatory bear is at large. A second girl is attacked, and the sheriff is quick to offer a reward for the bear's capture. Using early forensics and daguerreotype, Laestadius and Jussi find clues that point to a far worse killer on the loose, even as they are unaware of the evil closing in around them. To Cook a Bear explores how communities turn inwards, how superstition can turn to violence, and how the power of language can be transformative in a richly fascinating mystery. "Superb suspense . . . Simply a great literary experience!" V.G. (Sweden) "A masterpiece of narrative" La Vanguardia (Spain) "A philosophical novel, a crime novel, a historical novel and a coming-of-age story complement one another" La Stampa (Italy) "One is transported into a strange time and a fascinating world that is both beautiful and brutal" Politiken (Denmark) "Formidable delivery . . . Unlike anything else you have read . . . An incredible novel" Adresseavisen Translated from the Swedish by Deborah Bragan-Turner

"The love that dare not speak its name . . ." Sweden, 1949. A boy of 15, cutting across a garden, chances upon a woman of 51. What ensues is cataclysmic, life-altering. All the more because it cannot be spoken of. Can it never be spoken of? Looking back in late old age at an encounter that transformed him suddenly yet utterly, P.O. Enquist, a titan of Swedish letters, has decided to "come out" - but in ways entirely novel and unexpected. He has written the book that smoldered unwritten within him his entire life. The book he had always seen as the one he could not write. This poignant memoir of love as a religious experience - as a modern form of the Resurrection - is also a deeply felt reflection on the transitoriness of friendship, the fraught nature of family relationships, and the importance of giving voice to what cannot be forgotten. A parable as hauntingly intense as any Bergman film. Translated from the Swedish by Deborah Bragan-Turner